collshadowtwins asked:
writingwithcolor answered:
Writing Powerful Women of All Races
It’s great that you recognize that women’s representation is not one size fits all. What makes for good representation for white women is not the same for Women of Color.
Let’s consider how society handles women across the board:
White Women:
Traditionally, white women are treated as delicate beings, meant to be protected and romanced by men. White women are the standard of femininity and beauty. Women of Color can be attractive, too, but in a “different” way. Most positive roles for white women depict them breaking from these definitions, either embracing sexual labels or evading them by throwing out the need to be dolled-up, gentle, or in a relationship.
Even these problems come with privilege as there is this need to “dirty” oneself up and prove physical and emotional strength.
Anger in white women is seen as powerful. Anger in non-white women is either sexualized (see: the Spicy Latina) or seen as hostility and bitterness typical of their race (see: the Angry Black Woman).
White women embracing sexuality and the “Slut” role is groundbreaking. That doesn’t always translate well for WoC who are inherently seen as overly sexual and impure, and have the highest rates of sexual assault to show for it.
Black Women:
Black women are most often placed into the role of strong and independent, with an emotional and physical hardness that resists love and tenderness. They don’t need support, but they’ll be more than willing to use their backs to uplift others, no matter the gender, all and any races. Black women are rarely portrayed with classical softness or femininity. Note how Black women are so hard and impenetrable…except when it comes to helping everyone but themselves. Then they are your Mammy, warm and lovable and always there to support you, despite how much self-care they must neglect.
Asian Women:
Comparably, Asian women, especially East Asian women but other Asian women are affected too, are placed in juxtaposition to Black women. Asian women are fragile and need shielding, but that comes with a sinister dose of fetishization. They are often viewed as submissive, and are given gross comparisons to dolls as if items to place on display and control. They’re desirable, but in an “exotifc” way, and of course are not seen to have the same worth as white women.
This is often depicted in works, both old and modern: The white man falls in love with the Asian woman. After he’s had his fun, he abandons her to settle down with a white woman. The Asian woman ends her life as it is worth nothing without him.
On the flip side: Asian women are fragile and worth protecting…except when they’re not. The Dragon Lady stereotype features Asian women (Mainly East Asian) who manipulate and dominate others. This stereotype is often depicted by them dominating white men for Yellow Peril ends.
Native women:
Native women are seen as simple and animalistic, their “simpler” culture relating to “primal” needs. The narrative starts with Pocahontas, a scantily clad Disney princess who shows a white settler the wonders of the “natural” world, and continues all throughout Halloween costumes, Noble Savage, and Animalistic Natives. This very exact fetishization makes them prime targets for toxic masculinity’s view that women actively desire the more “beastly”/forcible sex, basically assuming Native women will behave like animals in heat— because that’s what society believes Natives are: a type of animal.
Women of Color:
Although this is grouping a number of women into one, they share a common thread of being exotified and fetishized. From the Spicy Latina to the brown-skinned temptress. They’re fun and sexy, and on the same hand promiscuous and impure. WoC are often portrayed as mistresses and homewreckers.
Women of Color are treated as Other, and are rarely the default. Notice in media that there’s a reluctance to call Women of Color beautiful. Words like “Striking” “Stunning” and “Exotic” are often used in its place, with an overemphasis on certain features more common to the ethnicity. And when they are more certainly called attractive, you’ll often find qualifiers such as the Dark Beauty or “Pretty for a Black Girl.”
While there is a lot of desexualizing in association with Black women (e.g. mammy), there’s another side where a Black woman’s body (see: curves and full lips) are inherently sexual to the point where even teenagers are labeled as “ho’s” and “Thots” who seek to tempt men for simply wearing shorts.
It’s no wonder Women of Color are assaulted at the highest numbers. Native American women lead in those statistics, and are at risk for sexual assault at twice the rate of others. For more stats, follow the link: (X)
A shared thread between all of these Women of Color is that, more often in not, people will not be content with these women being anything but their expected stereotypes. Also, there’s often a grumble by racist audiences when WoC are presented in relationships outside of their own race, particularly if they go anywhere near beloved white characters.
It’s time to break free of limited, dated molds and make society uncomfortable.
How do I represent these women, respectively?
I love your story concept, with all of these women having powers. Just keep in mind: what will work as positive representation for your white women may not work for Women of Color. We all have different histories that inform the struggles we have in society and what counts as proper representation.
Develop characters without applying what works for white women to all women. That is White Feminism. Intersectional feminism exists to consider Women of Color + other marginalizations and their needs as well.
Create customized representation that uplifts each women.
Develop personalities that don’t play into stereotypes. Choose powers that reflect individuality for each woman, not what is assumed about Black women, Mexican women, etc. What we hear and see in media informs our creative thought process, so your first idea may not be the most fitting one. Brainstorm! As a starting point, do opposite of the stereotypes and go from there. At the same time, find a balance to avoid extremes.
For example, the fragile Asian woman’s opposing extreme is Dragon Lady. The Strong Black Woman’s opposing extreme leads to infantilization aka making her utterly helpless.
And even then! Consider that sometimes people do have traits that may seem stereotypical. If that’s the case, it’s your job as the author to show that there’s more to them. They are human and not a label.
- You can be physically strong, and still bubble with kindness, emotional softness and femininity.
- Pink nail polish does not weaken a punch, or define someone as too girly or weak. It means you like pink.
- You can show emotional vulnerability, fall in love and be loved in return, and still remain powerful and whole without becoming the Strong Black Women.
- You can be gentle and worthy of protection while having self-worth and confidence.
- You can be sensual and desirable without becoming an exotic commodity, but instead someone who is more than sexual, is in control, and 100% deserving of respect.
- You can also just not be sexual, but that shouldn’t mean void of love to give and receive in return.
More reading: Stereotyped vs Nuanced Characters and Audience Perception
Research
There’s many places for you to start your research, and tons of it has been written right here on this page as well as all across the web in articles, blogs, vlogs, books etc. Seek topics on representation and intersectional feminism for the races you wish to portray. The best sources are written by the same people you’re reading about. Check out our Stereotypes & Tropes Navigation and the TVTropes List so you can recognize the displeasing ways WoC have been represented so you can avoid or amend it, and showcase people the way they want to be represented.
I also recommend you check out POC Profiles for the types of representation people who have submitted here are asking for. The WWC mods have also written on the topic in the Mod Wishlist post.
–WWC
writingwithcolor